Learn how to enhance your storytelling with musical references and create the soundtrack behind the story.

TL;DR: Music is the heartbeat of storytelling. From Ready Player One’s pop culture soundscape to the story behind my own sci-fi trilogy’s soundtracks, here’s how music deepens narrative impact.

 

Lessons from Ready Player One’s music references.

Ready Player One, the über-successful 2011 sci-fi novel by Ernest Cline, quite literally blew me away upon picking up my son’s paperback copy and reading it for myself. The VR gamer-on-the-run plot scenario was okay and all, but what struck me most was the free-wheeling name-drops from iconic 80s pop culture and music references.

The novel’s unmistakable sense of nostalgia was the hook that drew me in like a web of memories lighting up in my mind. Those music callbacks—especially the Oingo Boingo Dead Man’s Party reference—took me straight back to my 80s youth, which, no doubt, was the author’s intent.

Upon dusting off a little-used MS Word to start science fiction writing—a creative leap I describe in my journey from comic strip creator to sci-fi novelist—the notion of including music to add depth and realism was intriguing. But mere inclusion of artists and songs to make people connect to my words seemed somewhat reductive. Sorry Ernest. Instead, from the inception of my writing process, the subliminal power of vibrational energy permeating my brain and distilling into music spread long and emotional tendrils into my storylines and characters in a more nuanced and spontaneous manner that I did not fully grasp until I was nearing the completion of my second novel, like a light switch turning on in my head.

 

😎 My advice for writers on Fair Use vs. Copyright.

In general, simply mentioning an artist by name, like Oingo Boingo, or a song title, like Dead Man’s Party, is considered fair use. Think of it as having your character sip a Coca-Cola or walk into a Chili’s—it adds a sense of realism and relatability for your readers.

😬 What not to do.

Quoting lyrics within your text is not fair use. Unless you have pockets deep enough to cover the rights, steer clear. And, like most things in life, when in doubt, consult a professional.

 

Music as the emotional thread of your storytelling.

From epic poems passed down through the ages to document and record an oral historical record, to generations of indigenous cultures preserving their traditions through song, to Elvis and The Beatles, music is the emotional thread binding civilizations and storytelling. Imagine a lone bugler leading a platoon of soldiers across a death-ridden battlefield. A marching band stirring up an arena of fans at a college football game. Or tens of thousands singing a rock anthem in perfect harmony as the lead singer stands back with a broad smile knowing he does not need to sing a note. The power of music manifests through every time and culture as a universal unifying force.

The same applies to movies and television. Think of the heartbreaking angst from simply hearing As Time Goes By from the 1942 classic Casablanca. The charged spirit of adventure conjuring in your psyche as the opening notes of Howard Shore’s Lord of the Rings trilogy overwhelms your senses and settles you in for the long journey. Not to mention the litany of viral shows streaming across every platform accompanied by curated on-trend playlists to match showrunners’ intended vibes—a storytelling technique Vince Gilligan’s team mastered with the seminal hit, Breaking Bad.

Like film scores and soundtracks, novels draw power from music.

When writing or drawing, I am always listening to music. Like most of us. However, as I have matured, so have my musical tastes. Don’t get me wrong, I still love those iconic 80s bands, but as time goes by, I find myself listening to an ever more eclectic playlist of music. And because it’s good to share, I have compiled playlists that inspired my writing and characters—albeit in retrospect concerning the first and second novels—as this playlist idea did not fully manifest until much more recently, somewhere around the middle of writing The Blue Spark. So, here it goes.

 

The Powers That Be trilogy | Soundtracks

Throughout writing my trilogy, music helped to capture mood and deepen character development—whether I realized it at the time or not. So, without further ado, here is each book’s signature Spotify soundtrack—with an extra hook.

Remember where we began with the name-dropping and legal ramifications, etc. Well, I really don’t want any part of that. Instead, consistent with a non-derivative mantra imbued within me from years working in the creative business, I came up with a device of my own making, a subtle David Bowie song reference acting as each novel’s musical mascot, incorporated into the narratives in an artful, fair-use manner. Very important. And, who better than Bowie, right? We’re talking sci-fi here.

We ride along with main protagonist Rachel Haig—sporting a Ziggy Stardust t-shirt—aboard a massive space tourism ship high above Earth as Space Oddity resonates in her anxiety-riddled head.

A string quartet’s haunting instrumental of Heroes underscores Rachel and Owen’s reluctant celebrity status as an assembled crowd awaits the start of a Medal of Freedom ceremony in their honor.

The David Bowie classic The Man Who Sold the World enters a stellar conversation just before the epic trilogy’s climactic final act.

My next novel, working title Project X, also has a Signature Soundtrack—with the music added as I write for the first time.

For readers who enjoy solving puzzles, the playlist will hold clues to what’s next.

 

Use your creative soundtrack to inspire your storytelling.

Music is more than just background noise while you work. It seeps into your psyche and affects your mood, ambition, and motivation while percolating your creativity like a strong cup of coffee. On the other hand, Ernest Cline’s Ready Player One provides an extreme example of how music and pop culture references can enhance a narrative. Cline’s an excellent science fiction author, and I would love to know his thoughts on the subject. Now, if I could get him to read this post. 🤔

 
 
John Hopkins

Author and artist John Hopkins’ curiosity for what lies beyond common knowledge shapes his imaginative, character-driven storytelling. Following his muse, John created LOST CACTUS, a comic strip set on an off-the-grid top-secret research base—think Area 51. The strip’s quick wit, fearless lampoonery, and supernatural mythology expanded into a shared universe of science fiction short stories and novels. Sequels and graphic novels featuring the science fiction action-adventure Lost Cactus | The Powers That Be multiverse are in the works.

Stay tuned and keep an eye on the sky.

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My creative journey from comic strip creator to sci-fi novelist.